syrinx was originally written as incidental music to the uncompleted play psyché by gabriel mourey, and was originally called ‘flûte de pan.’ since one of debussy's chansons de bilitis had already been given that title, it was given its final name in reference to the myth of the amorous pursuit of the nymph syrinx by the god pan, in which pan falls in love with syrinx. however, as syrinx does not return the love to pan, she turns herself into a water reed and hides in the marshes. pan cuts the reeds to make his pipes, in turn killing his love.
our concept for claude debussy’s composition for solo flute is to create an ensemble improvisation based on syrinx’s haunting sounds. we play it rubato throughout but with changing rhythmic feels and densities, leaving spaces in the original for improvisation and breathing.
i thought of this piece when i visited the cape coast, ghana, fortress/dungeons that were holding points for captive africans prior to their journey to the new world. the incredible horror of these prisons, dark, cold, with the voices of those held there still felt and heard, are expressed in our arrangement. our version of syrinx relates to the prisons all people face in life: physical, emotional, psychological, spiritual……….
i was at 2 of these shows and they were a highlight of the year for me, so glad to see this music released -- the interplay is incredible and the interpretations are so fresh. the recording quality is excellent as well. e123
This quintet has acquired legendary status as a working unit...all the musicians are exemplary at their craft and DD is one of my 'Big5'...he is an exquisite composer of both depth and breadth of vision...you can instantly recognise Dave's DNA in a tune...what's more, you feel there is also so much more to come!;his powers of expression are so special.
These compositions are from the heart and I can only suggest that you take them to yours...
John Cratchley
An orchestra in which all instruments are serving a journey into faraway places, between jazz, classic and impressionism, with beautiful arrangements. A sweet invitation for a peaceful escape from these dark times. Highly recommended ! mili1
South African tenor sax player threads a transportive jazz tapestry alongside talented players from either side of the Atlantic. Bandcamp New & Notable Apr 11, 2024
This album feels as if it could have been released in the late 50's, except for it's thoroughly modern approach. It's first class musicians working with first class material. It's been a consistent 'go-to' album since I purchased it. Kenneth Pyron