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royal hartigan - blues for mister charlie and miss ann

from time changes by blood drum spirit

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6 blues for mister charlie and miss ann 6:01

this drum set solo introduction, blues for mister charlie and miss ann, is inspired by the title of james baldwin’s landmark play. i speak the tonal names on drums of a few individuals in the 20th and 21st centuries among the millions of african americans who have been victimized over the centuries: emmett till (money, mississippi, 1955, 2 snare stick shots and 1 mounted tom stroke); rodney king (1991, los angeles, california, 2 floor tom sounds and 1 mounted tom tone); amadou diallo (new york, 1999, floor-mounted-floor toms–bass drum-toms flam-bass drum); trayvon martin (sanford, florida, 2012, 2 high toms-floor tom, bass drum); sandra bland (waller county, texas, 2015), michael brown (ferguson/st. louis, missouri, 2014, both with 2 bass drum strokes and 1 tom flam); as well as the four-stroke ‘black lives matter’ (high–high-mid-low toms, 2 high toms-floor tom, bass drum). short fragments implying a twenty-one eight groove felt as three seven-pulse heartbeats connect some of the name phrases. this leads to a dense rolling section representing the horrors of violence, in homage to max roach’s duet with vocalist abbey lincoln in the protest section of his composition triptych: prayer, protest, peace, part of his 1960 we insist! freedom now! suite. 59 years later and counting, this response still rings true.

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from time changes, track released February 5, 2019
(c) 2014 royal hartigan

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royal hartigan Boston, Massachusetts

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